ROBIN SCHULZ

PROJECT: TOUR VISUALS 2026

Concert visuals usually support the show.
For this project, they had to become part of it.

For Robin Schulz's 2026 tour, Two Dudes Filmproduktion created large-scale visuals designed specifically for massive LED walls and live stage environments.

The goal wasn't traditional storytelling - it was impact.
Images strong enough to stand against powerful sound systems, towering LED screens and thousands of people in front of the stage.

Instead of building scenes, we focused on visual moments.
Elements rather than locations.

Fire.
Water.
Gravity slowing down and breaking apart in motion.

Nahaufnahme von Robin Schulz, der dunkle Sonnenbrille trägt und in einem Wasser- oder Schneegebiet steht, mit Wassertröpfchen auf seiner Haut und Oberflächenreflexionen in den Gläsern der Brille.
Robin Schulz trägt eine schwarze Jacke mit Perlen und eine braune Mütze, steht in einem dunklen Raum, umgeben von fallendem Schnee oder Konfetti, mit einem hellen Licht im Hintergrund.

Special effects teams helped turn physical elements into controlled visual moments.
Paris Yilmaz (Clubkind) directed the process from the perspective of the live stage experience, making sure the visuals would translate to massive LED screens and concert environments.

The project was produced by Two Dudes Filmproduktion.

Concept by Paris Yilmaz, pre-produced by Jan Verborg.
The visuals were directed and shot by Levi Stute as DoP, using the RED V-RAPTOR VV 8K, supported by a crew prepared for large-scale production.

Robin Schulz steht hinter einer transparenten, ribbeligen Scheibe, beleuchtet mit bläulichem und rotem Licht.

Everything was captured in 8K at 120 frames per second - not as a luxury, but because the scale demanded it. On LED walls of that size, every detail matters. Every spark, every droplet, every piece of glitter becomes part of the image.

The visuals were produced by Two Dudes Filmproduktion and shot across two controlled environments in NRW, Germany - the large-scale Mietstudio Halle 7 and the black infinity space of Darkhall Filmstudio.

Working in these two spaces allowed each element to be filmed in isolation before being combined into large, high-impact visuals designed specifically for concert LED walls and live tour productions.

Robin Schulz, der in einem Raum mit blauer Beleuchtung hinter einer durchsichtigen, geriffelten Glaswand steht.

Director: Paris Yilmaz

1st AD: Jonas Gehle

Pre-Production: Jan Verborg

Production Management: Marc Malkewitz, Finn Zitscher

DoP & Colors: Levi Stute

1st AC: Johannes Blenke

Gaffer: Quentin Federau

Best Boy: Felix Schuster

SFX: Rec-Tec

Setdesign: Jane Aliyat Akanni

Styling: Stina Nies, Anbro Shaya

MUA: Chiara Arends

Setrunner: Sebastian Beck, Maximilian Groß

Studio: Mietstudio Halle 7, Darkhall Film Studio.

Robin Schulz trägt dunkle Kleidung und Sonnenbrille, kniet inmitten von Flammen in einer dunklen Umgebung.